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According to Vasari, Lippi then went on to visit Ancona and Naples, where he was captured by Barbary pirates and kept as a slave.
His skill in portrait-sketching helped to eventually release him.
Most of Gozzoli’s work is in fresco but he also painted easel paintings, generally in tempera.
Gozzoli died on 4 October 1497 and was buried in the church of the monastery of San Domenico.
His family was from Sant’Ilario a Colombaia on the outskirts of Florence.
It represents the coronation of the Virgin among angels and saints, including many Bernardine monks.
One of these, placed to the right, is a half-length figure originally thought to be a self-portrait of Lippo, pointed out by the inscription is perfecit opus upon an angel's scroll; it was later believed instead to be a portrait of the benefactor who commissioned the painting.
Gozzoli frequently introduced portraits of contemporary figures into his works and in this scheme includes portraits of members of the Medici family as well as a self-portrait.
Due to his notable popularity, Gozzoli received numerous commissions and was obliged to set up a workshop with various assistants.
His escapades threw him into financial difficulties from which he did not hesitate to extricate himself by forgery In 1441 Lippi painted an altarpiece for the nuns of S.